This review is rather overdue. I actually finished the book
almost two months ago now, but the fact that I can still remember every
character and thread of the story is pure testament to Qaisra Shahraz’s talent
as a storyteller and novelist. This is my second review (and second book I’ve
read) on this author, the first one being Revolt.
Having enjoyed that one so much, I happily received this one in yet another
package from the generous people at Arcadia Books. The books aren’t technically
part of an ongoing series, but I really loved the feel of familiarity I
experienced between the two. The stories remain separate and always totally
unpredictable, but the themes Qaisra tackles are always similar.
In my review of Revolt
I discussed the wide range of settings and locations the book spans which
manages to effect a sense of universality whilst maintaining a focus on the personal
lives of the characters. What I found equally engaging in Typhoon was the use of time. The main body of the book only spans a
little over 24 hours; it is framed by a narrative set 20 years later, in the
present day. The constant sense of retrospect keeps the novel fast paced and
exciting, I was always referring back to the first part to try to fit pieces of
the puzzle together and reconcile the characters (basically guess the ending!).
However, the slow speed at which time moves in the main part of the novel
juxtaposes this rapidness, creating a build-up of suspense and allowing the
reader to accumulate a mountain of questions. As well as this, I constantly had
to remind myself that all this action was happening in just one day. Whilst it
is split between characters so it does not seem unrealistic in any way, I
believe it is still a difficult feat to keep the reader focussed on such a
short space of time for so many pages. I seriously admire Qaisra’s achievement
in doing this.
So as not to ruin it, all I’ll say is that the book is centred
around three women who all share a burden or shame that they experienced 20
years ago and that has impacted their lives ever since. What I really love
about Qaisra’s writing is her ability to introduce and explain issues mostly
unknown to women in the Western world of law, religion, shame and duty, whilst
simultaneously showing that this is not what wholly dictates life in places
such as Pakistan. Books such as Revolt and
Typhoon convey that issues of love, jealousy,
loss and desire are completely universal and cannot be ignored, even in the
face of such ancient values. Not a single character in the novel lacks a
sympathetic side, the village as a whole are constantly forging the battle
between religious laws that their society is built on and more modern
developments and ways of living that they are desperate to keep up with. Some
feel they are able to move on, some just cannot accept modern life: it is who
falls into which category which keeps the momentum of the story going and
creates an emotional and exciting experience for the reader.
Read it now! Get it here
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